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ON EXHIBIT

Unfixed, Featuring Akihiko Miyoshi

January 6 - February 26, 2023

Join us for an in-person artist talk featuring Akihiko Miyoshi! Saturday, February 4th at 2:00pm.

Tickets are free, but reservations are required as seats are limited. RSVP Today!

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In Unfixed, Akihiko Miyoshi reimagines photographs as magical objects whose potential is not yet concrete, colonized, or mined for data and information. Miyoshi's work results from his unique process of printing digitized 35 mm negatives on silk which are then layered in between coats of resin to create an object that reflects the active experience of looking at an image still contiguous to the world not entirely fixed. The works recall how alive and full of potential something can be by merely being connected to the world while simultaneously mourning a loss that has yet to come.

Watch an interview with Akihiko Miyoshi and Scalehouse team member Marley Weedman, along with a sneak peak of the exhibit below!

About Akihiko Miyoshi:
Born in Japan, Akihiko Miyoshi received his MFA in photography in 2005 from the Rochester Institute of Technology after leaving a Ph.D. in Electrical and Computer Engineering at Carnegie Mellon University to pursue art.

 

Miyoshi is a photography and digital media professor at Reed College in Portland, Oregon. His exhibitions include shows in Portland, New York, Los Angeles, Rochester, Pittsburgh, Germany, and Canada. He was named the International Award Winner of Fellowship 12 at The Silver Eye Center for Photography in Pittsburgh, PA, and the finalist for the Betty Bowen Award from the Seattle Art Museum in 2012 and Aperture Portfolio Prize in 2013. Miyoshi received a Hallie Ford Fellowship in 2012. Circuit Gallery, Toronto, represents him.

Headshot by Sam Gehrke.

Exhibition funded in part by Stillman Drake Fund, Reed College.

Scalehouse Gallery Hours: Wednesday - Saturday from 1-6pm

Location: 550 NW Franklin Avenue, Suite 138, Bend, Oregon 97703

Learn more about the Scalehouse Gallery.

View Past Exhibitions and Artists.

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